Thursday, December 23, 2010

1484 - Synecdoche, New York


I think that it would be really easy to call Charlie Kaufman, and this work in particular, pretentious. And to be clear, when I say "easy" I mean "lazy". Complicated doesn't equal pretension. The fact that something is multi-layed and complex doesn't mean that it doesn't make sense, nor that you're stupid if it isn't instantly clear of all it's meanings.
This is a hard film to write about because, as with all of Kaufman's works, it's a film of ideas. And those idea are as simple and universal as anything. On it's surface this is a film about a theatre director trying to make a work of importance, but really, it's about us trying to make our lives important. It's about our fears, and desires, and it's about us trying to get down and be honest about ourselves.
I can't pretend that I got even a fraction of what Kaufman has going on here, and I'm not praising him because I'm 'supposed' to think that he's a genius (and he is). There is a level of comedy in his work that makes it all the more enjoyable and all the more honest. He has no problem poking fun at himself and at his ideas - that's part of the whole point of it.
At this point there are about a half-dozen films that have been written by Kaufman and each and every single one of them make me extremely jealous in terms of the ideas that he is playing with inside of them. Kaufman inspires me greatly, as does the people that inspire him.
If you're a fan of ideas, you will enjoy this. It's not overtly pretentious, or tedious. It doesn't feel like homework to watch, if you have that fear. But fair warning - it is the kind of film that you're going to feel like you have to revisit and revisit and revisit. And I look forward to that.

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