1839 - Blackbird

I've been wanting to see this film for a while since I'd heard nothing but amazing things about it.  For those that aren't in the known, this film is about a highschool boy that's been bullied and ends up writing a story about taking revenge on those who torment him - the wrong people find the story and assume that he's planning a Columbine-esque attack and suddenly he's sent to juvee where the people are far worse and realizes the only way out of that hell is to plead guilty to a come he didn't commit.  

Simply told, it starts off with almost a Citizen Kane thing going as we're brought into the backstory through flashbacks following his initial arrest.  The performances in this film really are quite something else.  This is a film that's, sadly, very timely and I think a film that needs to be seen by as many people as possible.  It's currently doing the rounds in Canada so please, pretty please, give it a shot.  Jason Buxton has made a bold first feature give it a shot when you get a chance as it's easily one of the best Canadian films I've seen in a very long time.

1838 - New Girl: season two

This is a series that more-or-less had me from the very start and hasn't let go.  I'm not a huge fan of things that are overtly quirky, but for some reason it works here and it does so again and again.  Week after week we're introduced to what feels like a never ending well of character ticks that each of our heroes have, which ultimately exist to serve the story-of-the-week, but I always let it slide because the characters are solid and I believe these ticks exists within their world, and also the writing is so goddamn good, 
I'm going to get into minor SPOILER territory here, so proceed with caution.  From the very beginning you'd have to be an idiot not to figure out that at some point the writers were going to play with the idea of Nick and Jess as a couple - the question was how long would they drag that out and how would they sustain it once they do.  We're not partly into that.  I have to say that the execution under which they became a couple was pretty fantastic.  The entire cast is fantastic, and that's how you get a sitcom that sustains (or any show for that matter) people that you want to keep coming back to.
I felt like the end of this season got a tinge repetitive with Jess and Nick's push and pull, but I also bought the hesitation - it's a big move for them and the show.  I love where Max Greenfeld's character was left off, and now we just need something exciting for Winston!
If you're not watching this show you're making a big mistake.  It's easily my favourite sitcom currently on air.  I still argue that it has a terrible name for an ongoing series, but I can let that slide.  Please - check it out!

1837 - Vegucated

It's hard for to write about food documentaries like a regular review on here.  I'm a pescatarian, which is a vegetarian that eats fish - and I tell you, after watching something like this I start to strongly question that choice as well… so much about what we eat and why is tied to closely to tradition for tradition's sake.  No one who lives in any kind of civilized place can make a solid argument for why you need to consume animal products - you just can't outside of choice and desire.  This is a pretty fresh take on the subject and it's director introduces the ideas with humour and then gets you comfy before pulling out the more uncomfortable stuff. 
If you're reading this and you're a meat-eater - I get it.  I was a meat-eater for a long time, and it's only been five years since I've drastically changed the way I eat.  Here's the thing - even if you don't care about animals, even if you don't care about what the meat and dairy industry does to the planet - you should at least look at what reducing some of the stuff can do to your body.  Over the last 5 years I've lost around a hundred pounds without really trying all that hard.  I'm still trying to lose more, and that's tougher once you plateau - but I definitely feel a shit-load healthier.  It scares me to think what I'd look like if I hadn't changed my diet.  So there's that.  Do or do not, but make an informed decision before dismissing something like this.

1836 - Iron Man 3

Marvel has really done something quite amazing with the Marvel cinematic universe.  If you're a fan of the DC superheroes you can bow in and out of them as you please - like Batman but not Superman - fine - watch one and not the other.  But with Marvel, to get the full experience and all the references, you really need to show up each time - especially to get the benefits of the Avengers when they all team up.  It turns it into a really interesting and integrated series. 
So that brings us to the third (or I suppose 4th) outing for Tony Stark.  Tony easily has the most interesting arc of his entire series here.  The events of the Avengers fucked him up.  Iron Man started off as something very grounded in reality, and so it works nicely that as we expand the Marvel universe we discover other heroes with different powers - Tony is merely a human being, and intelligent one, but just a human.  Up to this point he's truly believed that he needs his armour.  And that's not untrue.  So what's really great about this storyline is that just when Tony needs all his toys the most, he's stripped of them and forced to be enough just as he is.  Much like Thor not being able to use his hammer for the majority of that film, Tony doesn't really get his powers back here until he's worthy of them.  It's great storytelling.  Add to that Shane Black's trademark jaded humour and you've got the kind of summer flick that most should aspire to. 
It's hard to imagine and fan of this franchise didn't run out to see this opening weekend, but if not then do so - this could be the best so far - and if you're new to the Marvel universe - start from the beginning.  It really is a ride worth taking.

1835 - Garden State

I haven't revisited this film in a long time and I did, I'm sure like many this week, on the cusp of Zach Braff's crowd funding campaign for his new film WISH I WAS HERE.  This film has a cult following and there's no surprise why - it's charming, full, sweet, and full of heart.  If I could make one change in this film it would simply be not to make Zach's character a struggling actor.  Outside a running-gag it just feels to me like a story that in infinitely more relatable if he's more of an everyman.  But there's not much to be done about that at this point.
This is likely one of the films that helped coin the term Manic Pixie Dreamgirl, but I could care less since Natalie Portman is so damn adorable here.  If you watch this and don't fall for her, you're dead inside.  That's right.  I said it.  The film has a killer soundtrack, and Big Bang Theory fans keep an eye out for Jim Parsons - if you remember the film but haven't seen it for a while, he's the knight.  (RIGHT?!)

Zach Braff has been taking some shit for raising money to make his film on Kickstarter, but I really don't understand why.  I can see the complaint that places are like that are for people who can't raise money traditionally - but I'd argue that we have no idea what Zach's situation is - sure he made a cult film - but that was almost ten years ago. (I know… sep).  Also, celebrities like he and the Vermonica Mars people attract new people to websites like that, those of whom might not had went there in they first place.  Indie filmmaking is the wild west, and if you can tap into a fan base to raise your money, then right there you've got proof that yours is a film people want to see.

If you haven't seen Garden State, it's absolutely worth checking out.  I don't praise it to the mountains like some do, but I do love it.   

1834 - The Queen of Versailles

Wanted to see this last year at Hot Docs, but it was madness trying to get a ticket.  If you don't know, this is about rich people having to deal with the fact that they're probably not going to be rich anymore. A timeshare company gets screwed over when the american banking system collapses and suddenly the plans for his $100M home fall apart.  Poor man.  And yet his wife continues to live as though they're making fistfulls of cash.  They have to lay off half of their serving staff.  When she goes to rent a car she asks what the name of her driver will be.  It's very entertaining in that regard, but sad as shit when you realize how disconnected this people and their family is.  They don't really even seem to like each other.  The mother claims she had seven kids because it was fun to have kids, but if she ever thought she'd have to raise them without nannies she probably would have stopped at two.
This is a tough documentary because it's not really about the economy in any meaningful way so much as it is watching the train wreck of this white trash family, who just happened to get rich, and now they're not quite as rich.  It's hard to really connect and care about them at all.
I liked it enough and glad I checked it out, but it's hard to give it a solid recommendation.  Casual documentary lovers will probably enjoy, but those looking for something hard hitting and emotion - keep looking.

1833 - Molly Maxwell

I will preface this by saying that this is my second time seeing this film and that I'm a friend of the film's director.  So take that for what you will.
I like this film a lot.  Coming-of-age stories done well will always be in demand.  Coupled with this you've got the relationship between a teacher and their student, and what's so refreshing in Sara's film is that it never feels like she's passing judgement on either character.  Is what they're doing right or wrong - well that's up for you to decide.  This is a film that truly 'gets' teenagers and feels more authentic in that regard than most things you'll find in a multiplex.  If you have a chance it's playing at the Carleton cinema right now - see it while it's still there!  The film is beautiful to look at and so well crafted.  Sara St. Onge has made a little gem of a film and I can't wait to see what she does next.