Showing posts with label Kent Osborne. Show all posts
Showing posts with label Kent Osborne. Show all posts

Friday, February 10, 2012

1690 - Hannah Takes The Stairs

Regular visitors of this blog will note that I've had a lazy viewing/reading month.  I swear it's 'cause I'm working my ass on something (which will be revealed in a few weeks).  But I decided to take a break tonight to wade through another film by Joe Swanberg.  What's really interesting in this film is how tight he shoots everything.  I don't know if it's to capture subtleties of actors or if it's to hide the extremely bland locations that they're in - somehow it works.
This film was a tad frustration on a few levels - technically it was difficult to make out the audio at some points, and just from a story point of view - I'm not really sure what story they were trying to tell here... It's almost about a woman who can't stand to be along or focus on herself so she attaches herself to men to avoid that.  I don't know.  It's pretty unfocused.  That said, I enjoyed the characters quite a bit.  I know that Swanberg works pretty lose, so it's hard to know who to credit for what on a film like this.  The film works largely because Greta Gerwig is so goddamn watchable.  She's one of those actresses incapable of a false move, I never feel like she's trying something - she's always being it.  She deserves all the success she's been getting.
Like Swanberg's other efforts this is the kind of film you'll either love or hate.  I liked it.

Sunday, February 05, 2012

1689 - Uncle Kent

In the world of D.I.Y. filmmakers Chicago's own Joe Swanberg is one of the most prolific and well known.  If you're got netflix you can easily catch his stuff, or at least some of it.  I have a really hard trying to figure out how I feel about this approach to filmmaking.  While I applaud the "let's just go out and get it done attitude" when a man makes over a half dozen features within a single year you have to wonder how much care and thought he's putting into any single one.
This film is about a forty-year old man who always thought that he had missed the boat for a serious relationship and a family, and by the end of the film wonders if maybe he's been wrong about that.  And that's being generous with that.  These types of film aren't known for hitting you over the head with their storylines and lessons, subtly it putting it vaguely.  At the same time I enjoyed large parts of this film, and just felt like it meandered a bit in the other parts.  While I very much want to try my hand at a film like this, I just don't think that I could pull back as much, and just watch people doing the most mundane of things.  I'll need a little more plot and momentum.
If you like subtle indie flicks, you might dig this - but you're a pure mainstream movie goer chances are that you'll hate a film like this.