the rambling thoughts of a young filmmaker and the discoveries he makes through film, life, and everything in-between...
Showing posts with label Emile Hirsch. Show all posts
Showing posts with label Emile Hirsch. Show all posts
Sunday, June 09, 2013
1851 - The Girl Next Door
It's been a long time since I've seen this film and I'm happy to say it stands up almost ten years later as well as it did when I first say it. It's the story of an unpopular high-school student who falls for the girl next door, and she's into him as well - and then he discovers she's a former porn star.
It's a super solid sex comedy, but it's a little bit more than that. Elisha Cuthbert is something special here. She's gorgeous, sure, there's that. But she has this amazing vulnerability that comes across here in a really interesting way. It would have been so easy for her character to be one note, but she's got a strength and a sadness and it comes across beautifully. Emile Hirsh is perfect, you buy that he could be with this girl, but also that he's had a bit of arrested development himself. Timothy Olyphant really is the stand-out here - he's the buddy, he's the villain, he's dynamic as shit here.
If you haven't seen this you really need to check it out. It's delightful, it's funny, it's sweet. It's a ride. Do yourself a favor and check it out.
Wednesday, February 02, 2011
1514 - Taking Woodstock
I had a geography teacher who made us watch the film Woodstock over and over and over again. I can't remember if he'd been there - I'm sure that he wanted to be if he didn't. Either way, because of that man, I've always had at least a minor interest in this festival.
This is an interesting film in terms of the people that have come together to be a part of it. Ang Lee is a bit of a surprise - although if you look at the man's filmography there is no rhyme or reason to it - he's all over the map in terms of the kinds of films and subjects that he gets involved in.
There's a wonderful supporting cast here: Liev Schreiber, Paul Dano, Eugene Levy, Imelda Staunton, Emile Hirschto name a few. I can't imagine that they got involved with the film because the script gave them an amazing role to play - they were all good, but none of them are playing career making performances - they got involved because of what the project was about.
I'm a bit neutral on this film. I enjoyed it, but it's not something I'm going to find myself raving about as a 'must see'. It's what it is, a small document of a person who got involved in something extraordinary. Take that for what you will. The one irony is that, for a film about one of the greatest musical festivals of all time, I can't say that the soundtrack particularly stood out.
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