Showing posts with label Gillian Jacobs. Show all posts
Showing posts with label Gillian Jacobs. Show all posts

Wednesday, May 07, 2014

2002 - Bad Milo


We were catching up on episodes of Jim Henson's Creature Workshop, and so I felt like watching something puppet oriented and remembered that I had this in my netflix que.  It's the story of a man who has a creature living in his ass, and when people/life stresses him out, the little guy crawls out and attacks those who are causing him the stress.  It's a perfect and beautiful metaphor for human interactions (seriously).  This also calls back to some of the fun shlocky horror films of the 80's and early 90's that I watched in my youth.  Lots of great little creature moments.  Gillian Jacobs is the love interest here and I adore the hell out of her as per usual.  The creature is adorable and fantastically creepy all at the same design to kudos to whoever did the work here.
Story wise it's a pretty fun ride, there's a nice little twist at the end, more of an additional element that made me grin a lot.  This is a film full of great ideas and smart execution.  If you want to watch a really fun horror-comedy with just enough of social commentary then this is a must watch.

Tuesday, November 12, 2013

1937 - Community: season four


So I finally caught up on the Dan Harmon-free season of Community and I know that a lot of the diehards shit on it a lot, but honestly, I don't think it was all that far out of the status quo.  The show is pretty much about fucking with the format, but keeping the characters true to who they are.  The beauty of having such a solid cast is that it makes it easy four seasons in.  And I thought the mucking about with the format was up to par, although maybe they tried a tad too hard in some areas.  Although I enjoyed the Muppets episode, I wonder what Harmon would have done with that idea...
So I'm looking forward to Harmon's return and what he does with the corner's he's been painted into with certain characters having graduated (one who isn't coming back - which I'm fine with - and another who absolutely should come back), and not to mention Donald Glover's much shortened season and how he wraps out...

Monday, September 10, 2012

1760 - Community: season two

So I'm ridiculously behind on this series (season three just added to Netflix - huzzah!).  This is a series that I admire the hell out of, even if I don't absolutely love it.  It's hilarious and has a cast that I find phenomenally enjoyable.  The guys I want to hang with, the women I want to date.  But not because they're beautiful (which they are) but because they just seem like a helluva lot of fun to hang around.  This series is unlike any other in it's ability to constantly test it's format.  You could argue that really all they do is play with genre within their own universe, but I'd argue that that's easier said than done.  They do this, sure, but they don't abandon their characters or arc to do so.  Is it about a community college?  Not really.  It's about, like all great sit-coms, a dysfunctional non-traditional, family. 
I don't imagine that this series is for everyone, but if you're a comedy fan and a bit of a nerd, you could do a hell of a lot worse.  It'll be interesting to rapidly consume the next season and then see what happens when they come back sans-Dan Harmon...

Friday, December 23, 2011

1665 - Community: season one

I'm late to this show, clearly, but it's without a doubt one of my favourite television comedies.  The writing on this show is pretty goddamn amazing, and it features what is probably the strongest comedy ensemble cast currently on air.  Each character on this show is absolutely dynamite and no matter what the combination you put them with, pure gold comes out of it.  I could write a paragraph on each of them but I think that the surprise stand-outs are Abed (Danny Pudi) and Troy (Donald Glover).  And I'd by lying if I didn't admit to having a massive crush on both Gillian Jacobs and Alison Brie.  And it's not just because they are both extremely beautiful ladies, but more so because their comic timing is absolutely impeccable.  Both stand-out stars in every regard.
One of the running things I love about this show is it's use of vintage pop-culture, but also it's style of comedy - it's extremely self-aware, more so than any show I've ever seen.  As the show went on they got more free-form with the style and starting importing other genres in to play around with - it looks like they get even crazier with that as the show continues on. 
I'm really looking forward to catching up with the rest of this series.  That is the one benefit to coming to a show late is that you can really indulge in a pile of greatness as opposed to having to wait week after week.
If you love good solid comedy there might not be a better series than this for it.