2049 - The F Word (aka What If)

If you're in the USA or UK then you might know this by the unfortunate title "What If" but here in Canada it's got the awesome title of "The F Word".  I love this movie so hard.  I'm a romantic-comedy nerd, so I give a lot of them a pass just because I like the genre, but when I find one that's done so amazingly well it makes me want to scream from the rooftops - and this one does.  It's a wicked funny script, a charming as hell cast, and a really mature direction that's also playful.  I think this was my favourite film at TIFF last year, and it's up there with my favourite of the year in general.  It's being added to the ranks of When Harry Met Sally and it deserves to be.  Elan Mastai and Michael Dowse have crafted a beautiful, funny, sweet, and heartfelt romance that isn't shy at all about being set mostly in Toronto.
This film came out wide in Canada this weekend and I think it's still in the USA - please please please go check it out - it deserves a huge audience.  If you see this film and don't laugh a fair bit it's likely because you're dead inside.  I love it and can't wait to own it!

1975 - Frances Ha

I’d wanted to see this film during it’s initial release but didn’t get around to it and was super excited when I saw that it was already on Netflix.  I’m a big fan of Greta Gerwig - she’s got a way about her that is infectious - she’s so utterly natural, it’s refreshing.  Also I never have a problem with Adam Driver making an appearance in anything.  

Here’s the story of a young woman trying to get over herself and move the hell on with her life, if only she can get out of her own way.  

Black and white was a smart choice here - in the days where films and television feel so disposable, the aesthetic here almost makes it feel like a revered classic - which would be a problem if it wasn’t so well done.  The fast pace and eclectic sound track keep this slice-of-life piece barrelling along.  I’m sure that this film isn’t for everyone, but anyone who enjoys a good character drama is going to find themselves with a treat on their hands.  This is defiantly a film that I want eco try and revisit sometime sometime sooner rather than later - and you should too!

1972 - Girls: season three

I didn’t love the second season of this show - but I found this season to be back in fighting form, and probably at it’s strongest.  It’s lose, but we’re starting to see some serialization happening.  I guess my largest critique of this season would be the underuse of some of the supporting characters.  Don’t give me wrong, I love watching Hannah being a selfish twat as much as the next person - but I also really love checking in with the rest of the foresome.  And for a show about girls, the guys really do steal it for me, especially Adam Driver, who is enjoying being a break-out star, I imagine - and deservedly so.  I love how self aware this show is - and it really is the kind of thing that makes me jealous as a storyteller.  I think what Lena Dunham has done here is something a lot of us would love to be in the position to do - and I think she’s doing a bang-up job.  I’m very curious to see how the end of this season will resolve itself moving forward - but I’ll be there for sure.  If you haven’t started yet Season 1 is widely available - and while I don’t love Season 2 it’s worth blasting through to get back to the good stuff in this most recent season.

1956 - Inside Llewyn Davis

Before throwing down my own thoughts I read some awesomely varied reviews - people that love and hate the film.  I'm in the former category.  I'm not a Coen apologist - I hated Ladykillers, and I was meh on A Serious Man.  Everything else has been enjoyable for me, and many of them are among my favourite films.  Say what you will about the Coens - they've got a distinct voice, and in this particular film they know exactly how to use it.  In lesser hands a film like this would meander and be boring as shit.  If you described the plot to anyone I'm sure it would turn them off seeing the film (to be fair - there isn't much of a plot - that's not what this one is about) but it's the execution here and it gets top marks.  We spend time trying to get inside of the main character, and see what makes him tick, see what others see in him, why he annoys others (Carey Mulligan is goddamn fantastic here, every time she emphasizes a word here it makes me smile, and John Goodman's mocking of Lewis' genre of music of fantastic).  This is a film that's purely about the journey with little to no thought about the destination.  If you like the Coens and you like folk music - this one is a no brainer (I'd be remiss to not mention a sequence in the middle featuring Oscar Isaac recording a song with Justin Timberlake and Adam Driver that is comedy gold.  So delightful.).  I wasn't familiar with Isaac as an actor before but he's on my radar big time.
Not everyone will love this film - some will dislike it immensely.  As mentioned, I'm of the former mentality.  Give it a whirl yourselves!

1901 - The F Word

Now.  THIS is an example of making an accessible, commercial film inside of Canada.  But Michael Dowse is no stranger to that with Good.  Dowse is easily one of my favorite working directors in Canada.  I've been tracking this film for a while because two of my friends have small parts in it, but I'd be tracking it anyway because of Dowse alone.
It's easy to label this film as an update on When Harry Met Sally, but it's more than just that.  It throws you right into a head-on witty banter and doesn't let you go from that.  Of course you're in for a will they/won't they type film, but the situations they're put into aren't just for laughs or annoying suspense.  You feel their angst and confusion.  There's a pitch-perfect scene that takes place inside of a change room which anyone writing an effective rom-com should study.  It's a fantastic moment and the film is full of them.  Radcliffe is quite charming once you get used to the idea of him as a romantic interest (which does take a moment to adjust to) and Zoe Kazan is downright adorable - Adam Driver rounds out the cast nicely.
This film made a big splash at TIFF, and rightly so, so I think it won't be long before you can see it yourself.  Make sure you do.

1857 - Gayby

This was a random impulse Netflix watch.  The gist: Two best friends - one gay, one straight, decide to have a child together.  Hilarity tries to ensue.  To be fair, I liked this.  It's cute.  It's not really all that funny.  The leads are fine, but they appear to be a hold over from a short film of the same name/concept and I can't help but think that the film would be stronger had the leads been recast.  If you like indie flicks it might be worth a check out.

1815 - Girls: season two

The first season of this series was easily one of my favourite things about television last year.  It was one of those things that made me jealous to my core.  It had a language, a style, that I was envious of.  Whenever I thought of a series I wanted to create I'd often ask myself "What is MY 'Girls'?"

And then this second season happened.  And… well… I don't know… If I'm honest I'm not sure that I entirely recognize this show right now.  It's characters just felt like they wanted to be angry and terrible to each other for an entire season only to become happy again at the VERY end.  A lot of reviewers have commented that this seasons end doesn't feel earned and I'm inclined to agree. 

There is so much about this series that I love still.  I'll still be tuning in when season three comes around.  I adore Adam Driver, and all the other guys on this show.  The women are a bit frustrating for me.  Hannah's, out of the blue, OCD, just felt like another crutch for a character who's entire existence appears to be about making excuses for why she isn't further along with life.  She's, clearly, a self saboteur, and we know that - and while I admire Lena's decision to do that with her character, it makes you not like her a whole hell of a lot. 

It's a series that is not for everyone.  I loved the first season, and found this one enjoyable in parts and frustrating in others.  I remain cautiously optimistic about the next season.  I want to love the shit out of it.  I really do.  I hope this review doesn't turn anyone off.  That's not my intention whatsoever.