1987 - The Grand Budapest Hotel

Wes Anderson is without a doubt one of our more specific visual filmmakers.  I still haven't seen his previous film, Moonrise Kingdom, but other than that I believe I've seen everything - and while a lot I find to be a hit or miss, he's always distinct and clear about his visuals.  To the point where I think you could fairly easily copy cat his style and one might be hard pressed to say if it was an homage or satire to the work.
I enjoyed this for the most part, although it did feel to be dragging on a bit by the end.  I must admit that I feel like there was a bit of bait and switch - I thought I'd signed up for a fun little character comedy where it was really more of a caper film - not that I mind much, but I was expecting something a bit different, I suppose.
That said, it was still enjoyable, and though I don't see why I'd ever need to revisit it, I would definitely place it into the side of Anderson's films that I actually liked.  Still in theatres!

1934 - The Switch

Part of the switch for me with this film was based on the trailer I think I remember assuming that it was just all about her pregnancy and whether he would tell her the truth about him having swapped her sperm samples - but in truth the bulk of the film takes place years later when the kid is grown up somewhat.  The film has a pretty predictable romantic storyline as you can well imagine it might, but what's really surprising and enjoyable is the relationship that Jason Bateman has with the kid in the film - and that's what I really was drawn to and responded with.  It's a really strong relationship in the film, and the real highlight for me.  That's the relationship you want to work out in the end.  Sure you like Aniston and you want them to hook up, but for me it's all about the father/son relationship - and likely because I'm a tad biased in that regard.
It's a decent little flick and worth checking it out if you like Bateman, Aniston, or rom-coms in general.

1614 - Morning Glory

I'll see pretty much anything that Rachel McAdams is in, and when you throw Harrison Ford & Diane Keaton into the mix as well - you've guaranteed my viewership. 
McAdams stars as an up-and-coming morning show producer challenged to take a morning show on it's last legs and breathe some fresh air into it.  It's full of the usual work place trappings, like office romance, workaholic natures, etc... but it doesn't fall into the cliches of them, which was a nice touch.  What I love most about McAdams, and what's obvious here, is that she actually likes to play her characters honestly.  This is a big budget comedy, but she looks like a real person - her hair is messy sometimes, she looks slightly disheveled - because she's supposed to be given her job.  A lesser team would have kept her polished the entire time. 
It's easy to forget that Keaton and McAdams played mother/daughter a few years back in The Family Stone, they fit their roles so well, but the big surprise is Harrison Ford - much like his character - you don't expect him to show up at a film like this, and it works quite well.
This is a cute little film worth checking out, especially if you're a fan of any of the headlining talent.
Morning Glory  Morning Glory [Blu-ray]