1824 - 50/50

Rewatched this mostly as a visual inspiration or something I'm working on.  I still love the hell out of this film.  The cast is pitch perfect.  Anna Kendrik is beautiful awkward, Rogen is oafish and loveable, and JGL is wounded and honest.  If you want a more in-depth look into my thoughts they're around here somewhere - I'm not sure I'll say anything new since I still just loved the hell out of every inch of this film.  When it was finished I wanted to watch it again right away.  If you haven't seen this film you absolutely must.  It's not a heavy-handed piece by any means.  It's light, but with some poignancy and heart to it.  Please, please, see this film.

1788 - 50/50 (commentary)

You can find a full review or two here already of this film as it's not my first viewing, but I decided to check out the commentary whilst I was doing some other things.  It's not the most informative - but it's a good time had by what appears to be good friends hanging out - including the writer whom the film's story is based on.  The commentary provides some decent stories and laughs but I wouldn't call it essential listening.  If you haven't see the film yet please do though - it's fantastic and one of my favorite of last year.

1630 - 50/50

The reviews warned me, but I didn't listen.  Sometimes I hate reading reviews because all they really do is fuck with my expectations.  In this case the reviews were pretty consistent in saying that it's a cliche for a film to make you say, "I laughed, I cried" but in this case you did.  And I did.  I sure did. 

This is a film about a young man who discovers that he has a rare spinal cancer, and what happens with his treatment.  Heavy stuff.  Could easily be movie of the week material - hell, it IS movie of the week material, but not the way that it's handled here.  Joseph Gordon-Levitt is phenomenal here.  There is a moment near the end of the film in a car that just shook me.  He dazzles on screen (and that's not a word that I use lightly).  The entire cast sizzles.  Rogen is delightful and doesn't over do it.  Howard is lovely as usual, but Anna Kendrick is simply a sight to behold.  She's a very unique actress and I think that it's going to serve her well - what I absolutely love about her is the moments that she plays inbetween moments.  And I normally don't care much for Angelica Houston, but she really did grow on me here. 

I'm not going to give away any details because this is the kind of film that you just need to see for yourself.  There is some stuff that may appear inappropriate, however I think you'd have a heart of absolute stone not to be drawn into this film.  Easily one of the best of the year.  Go see it.