2027 - Chef

Swingers remains one of my favourite films.  It came to me when I was a teenager and really fixated on wanting to become a filmmaker, and the story behind how it made, everything about it, was kind of intoxicating.  If you’ve never seen that film it’s absolutely worth hunting for.  The reason I bring up Swingers is because it feels like Chef is the first personal film that Favreau has made since - his career became fixated on blockbusters, so it’s nice to see him return to his roots.  Chef almost feels like Fav’s commentary on the current studio system and the film itself being his own personal food truck.  One can’t help but wonder of the food critic isn’t standing in for a group of film reviewers.

There’s something magical about this film - visually it’s a treat, especially the food porn.  At it’s heart it’s the story of a man finding his way back to his roots and becoming a real father to his son.  Story-wise the film is pretty light - but what it lacks that way it makes up in character and charisma.  It’s the kind of film where heavy-weights like Robert Downey Jr., Scarlet Johanson, and Dustin Hoffman show up to act the hell out of a scene and then let the film take over.  

Only issue was that the backstory of the marriage falling apart with Sofia Vergara seemed random - they never seemed to have any issue with each other and it almost felt forced to give him some kind of hurdle to get over… Her character was a bit too one-note and supportive - it would have been a good way to flesh out his character a bit more.  

All in all it’s a really fun and lovely little film, a nice palette-cleanser from the typical summer-studio-fare.  If you like character based films with a heart - and you’re a bit of a foodie, this one’s right up your alley.

1985 - The Prestige

My son has become quite interested in magic, and we were watching some David Blaine stuff on the weekend and it made me desperate to re-watch this.  I love the idea of magicians - part con-arts, part showman - it's a very exciting and thrilling thing.  This film features a fantastic cast set amongst this tragic story of greed and pride.  I love the way that Nolan weaves the story in and around - he's playing a beautiful magic trick on you of his own.
If you like films that make you think and keep you guessing, this is easily one of the best.  Top notch entertainment with a lot more going on beneath the surface.  A must see :)

1977 - Captain America: The Winter Soldier

It's quite something to take a character that's uninteresting on paper as Captain America, and have him be one of the better film franchise's in the Marvel universe.  I was surprised how much I liked this first one, and I have to say this newest entry blew my mind a little.  First, it's just a solid film - it's funny, it's smart, and it's got some kick-ass action sequences going on inside of here.  But secondly, and this is a MASSIVE SPOILER.  I couldn't help but watch the whole time thinking "Man, are they just destroying the world of their new TV series with where they're going with this story???".

What I love about the Marvel universe is how each film builds upon the last.  It's smart from a branding position because you feel like you can't miss anything (though I have to admit I'm not big on the series - I'll check in now that I see how they cross-over.).  The series working how it does is almost like a huge budget TV series in a way - where you've for Scarlet Johanson playing support in several different films, building upon previous outings.  I love it.  I for one am super excited to see where this team takes us next.

1954 - Her

It's hard to write about a film like this.  One of my favorite films, especially in the relationship variety is Eternal Sunshine of the Spotless Mind and this is the closest I've seen to that since.  Not to compare the two just because they both have outside-the-box concepts - but because they use them to put a spotlight on relationships in a really meaningful way.  This one, for those who don't know, is about a man in the near future who falls in love with his computer/phone's operating system. 
There's a moment in the middle of the film where Phoenix's character says that he thinks he's already felt everything he's ever going to feel - and it hit me like a ton of bricks and made me wonder if I'd experienced that as well.  It's a scary thing to think that you're cut off from feeling anything new.  This film is full of thoughtful commentaries on life like that - as well as "The past is a story we tell ourselves."  I'm a sucker for that kind of shit.
What Jonze does really well here is milk the concept about as much as it can be - which he does equally in other high-concept films he's done.  If I have a complaint about this film is I did feel that it went on a bit longer than needed - I went from being lost inside of this beautiful world and story and then suddenly was aware that it didn't feel like it was building to something.  That aside, I still loved this story.  It's without a doubt my favorite Phoenix performance.  Voice wise Scarlet Johanson is a perfect choice - she's playful and sexy and has all the other human qualities we need for the role as well.  I guess I wondered if it wouldn't have been different though with the voice of an unknown actor, where I wasn't able to picture their face the way I was here.  I guess I'll never know.
I was excited to see this nominated for Best Picture, it deserves that kind of attention.  It's still in cinemas - so please - if you like good solid love stories this is one that you need to see.

1923 - Hitchcock

I'm a film nerd, and part of my collection is a whole shitload of Hitchcock - some of which I'm embarrassed to admit I've still never seen.  The trick is I need to develop a Hitchcock type project to give me the excuse to watch all those films.  I still think North by Northwest is my favorite, but there's a special place in my heart for Psycho as well.
I don't know if there's a whole lot of new discovery in this film - for anyone that's even a moderate fan of Hitch it feels like you could have gotten all of the little tidbits of info by just scouring the internet a bit.  The film seems to focus on the relationship between Hitchcock and his wife, resulting in him appearing to have a change of heart with his view on his women in his films by the end, and putting his focus onto his wife. Ironic that the next film he makes is The Birds where the famous story of his obsession with Tippi Hedren comes from - which just makes the ending of his "bio-pic" feel a bit like bullshit.
That said, Hopkins disappearing inside of Alfred Hitchcock and gives a fantastic performance, as does Johanson - both worth watching it for that alone.  I was hoping it would be a bit more exciting, or at the very least offer new substance and behind the scene stuff that the average Hitchcock nerd is already aware of.  Alas.  It's on Netflix if you want to give it a shot - although I think the making of documentary on the DVD of the film likely provides much stronger material.  So there's that :)

1905 - Don Jon

Only Joseph Gordon-Levitt would cast himself in a role like this and thank the sweet lord that he did.  Holy shit did I love this film.  I loved how fun it was, how much the cast gelled, and how inspired the casting was (especially Tony Danza).  I loved the style of the images, it's repetition.  Such a wonderfully endearing and fucked up lead character that you really love and want to see get what they want and need.  Again, this is a film where I don't want to give away a single damn thing, but know that I smiled from ear to ear from start to finish.  Not only is this a great film, but for a first time filmmaker, it's the promise of a great career as a filmmaker and I'm so excited to see what he does next in his regard.  See this the instant you're able.

1727 - The Avengers

I was getting pretty excited about this film the days leading up to its release.  I've been following all the lead-up and previous films.  I mean, it's a tremendous plan and very smart the way that Marvel has gone about building their universe.  You can only imagine what they'd be doing if they still retained the film rights to all of their characters.  It becomes slightly difficult to combine the reality-based world of Iron Man where regular people use machines to be super, and then something like Thor where it's something else entirely.  That said, I think this worked and the tones blended together nicely.  It's hard to juggle that many stories and characters, but Whedon does it and with grace and style.  Each character works very very well and builds on what we've seen before.  It's nice seeing Tony Stark comfortable with Pepper Potts, and cracking wise on the side.  It's awesome to watch Captain America turn into an actual leader of his dysfunctional group.  It could be that Hulk was my favorite of the whole bunch though.  I loved Ruffalo as Bruce Banner, but I thought that the choices they made with Hulk were inspired. Lots of great stuff there (although his shift wasn't well explained...)
If I have a complaint it's that I felt like waaaay too much time was spent on that ship in the sky.  I swear we spent well over half the film in that location and it made the film feel a bit small because of it.  I don't envy the Marvel team as they go back to the stand-alone films to lead up to an Avengers sequel.  Once you've put the bar so high, how do you do a stand-alone justice?  And how do you explain why these guys (or some of them) aren't just always helping the others out?
Of all the solo films coming up, the one I'm hoping for most is a Hulk film starring Ruffalo.  I'd line up for that one.