1859 - The 40 Year Old Virgin

Today's my day at home to get some office work done so I'm also re-watching some much loved classics.  I rewatched this last year with the commentary but it's been a LONG time since I've watched the actual film - and it's a good reference for something I'm developing.  This is a cast that would be hard to assemble today if you look at the tremendous talent that's in all of the supporting roles.  What I love about this is that it's, technically, a dirty movie but it's done with such a sweetness.  Steve Carrel is just goddamn delightful here.  You buy into him and his situation without a second thought.  It's so interesting to look at how far Apatow has come since this, especially visually.  No offence to him or his team, but it's not a great looking film - it's not overly cinematic - which makes sense since I believe all his directing experience up to this point was in sitcom, and this absolutely looks like it. 
If you haven't seen this it's kind of a classic by this point.  If you're a fan of comedy you owe it to yourself to check it out.

1832 - What Just Happened?

It's funny, when I was younger I was really obsessed with films about the inside of the industry, especially dark comedies like this that shed it's light upon the underbelly - there was some joy in the mystery of this world - but now I can't imagine myself writing something that's so inside baseball.  I have no complaints about those that do - but it just makes the whole business seem so ridiculously petty - and maybe that's the point.  There's a lot of truth in the insanity that's shown in here, and the actors who play themselves do a pretty great job of leaving their egos at the door.
DeNiro plays a producer who is having the week from hell, dealing with a director who wants to keep his uber-bleak ending for a film about to go to Cannes, and Bruce Willis refusing to shave his beard for an upcoming film.  This sound terribly first world problem-esque - and they are, but I don't think the film is ignorant of that, in fact I think it takes great joy in playing up those of us who just take this shit a little too seriously.
The cast is great and seems to enjoy lampooning us a tinge.  It's not essential viewing by any means, but it's entertaining enough.

1718 - Friends With Money

Another rematch for visual style inside of a talky film.  This one is shot pretty conventionally and simply, but works nicely because of it.  Nicole Holofcener isn't aiming to wow us with the visuals as much as she is with the story.  It's a cast filled of actresses that I love and they're all playing vastly unlikeable people, but their chemistry and commitment to the characters make it work somehow.  If you haven't seen it, the film is about a woman, Aniston, who is surrounded by friends far more well off than she is.  In a way the film is an argument against being wealthy as a way to solve all of your problems.  Most of the characters here are wealthy and still messed up regardless.  Their view on the world is skewed and somewhat terrible.  They believe they're instilled to whatever they want because they want it, and so why shouldn't they have it.  Sadly I think only Catherine Keener's character comes around in the end, whereas our "hero" Aniston appears to have found a way to get into the rich person's club, and we question if she's at all sincere about the way she's gotten in…
This is by no means a film for everyone.  The characters are not the kind of people you want to hang out with, and you might spend a great deal of the film wanting to bitch-slap them.  I believe that's the intent, and so I think for that this film is a success - even if it means that a lot of people would rather spend time watching a movie with characters they don't want to slap around.