2047 - Guardians of the Galaxy

The Marvel Cinematic Universe is getting to the point, for me, where it’s akin to the work done in the heyday of Pixar.  And given that Disney owns both them and now Star Wars, anyone who owns stocks in the Mouse are certainly going to be happy in the upcoming years.

Like most people I didn’t know ANYTHING about Guardians of the Galaxy going into this.  And I came out wondering if this was my favourite of the Marvel side-franchises.  It is so goddamn good.  It’s the most fun I’ve had in a Marvel film, including Avengers.  It starts off with a huge gut-punch - which hit me especially hard because of personal reasons - and then it involved into something that was sweet and funny and grand.  Chris Pine is an all-star, and Bradley Cooper makes Rocket more than just a wise-talking side-kick.  

My only complaint, and this is more a big-world question than anything else.  The villain’s lair/world(?) just feels so small and empty.  He wants to destroy things, a planet, but I never really got a strong sense of why - outside of the fact that it was evil and he’s evil.  If I have a complaint with this film it’s that the villain was a pretty weak cardboard cut-out - zero personality besides ‘bad’.  So that was the weak part of the film for me - that said the rest of the ensemble is so delightfully entertaining that it doesn’t hurt the overall movie like it should.  

Keep up the good work, Marvel.  The way you weave all your properties together is such a clever way of insuring viewership - but it’s also rewarding for the audience.  Keep up the quality and I’ll keep showing up.  

2046 - Begin Again

It’s hard to watch this film and not feel like you’re floating.  It’s the kind of film that makes you remember emotions and feelings that you thought were numbed by every good thing that became before it.  It means one thing - it’s the kind of film that makes you feel new feels, and that’s something spectacular in and of itself.  I loved this film.  Kiera Knightly has never been better and she is magic alongside of Mark Ruffalo.  It’s a love letter to the art of creation so it has a special place inside of me.  The music itself is really fantastic and with a purchase itself (which I’m doing as I type this).  There are so many clever and beautiful sequences here that I’d love to go into great detail about, but I’d really rather just convince you to check it out yourself.  This is easily one of my favourite films of the year so far.  It’s a beautiful, entertaining, and powerful little flick.  I liked Carney’s “Once”, I love “Begin Again” - looking forward to a nice third instalment of this ‘making-an-album’ trilogy!

2045 - Bad Grandpa & Bad Grandpa.5

Working on a hidden camera show I thought it would be fun to check this out.  I like this better than the typical Jackass fair because of the storyline that’s present - it’s actually a decent little storyline in and amongst fucking with a lot of strangers - which I can absolutely get behind.  I won’t ruin a damn bit because that’s half the fun.  Netflix offers the .5 version, which is essentially a combination of making-of and also bonus scenes - if you like behind the scenes stuff this one is pretty entertaining, especially the inner workings where they show how the hides, etc… work.  This isn’t for everyone, but the people who like this sort of thing are going to like it a lot.

2044 - Oldboy

It’s always dangerous territory to remake a much celebrated film - especially one that has such a twist ending as Oldboy - and then to do nothing new with the twist… it’s a bizarre choice given that the only real audience for this film is fans of Spike Lee and people who have seen the original - and that is likely the same audience, I imagine.  So I guess my first question is - what the hell was the point of this?  Stylistically this film doesn’t even touch the original - there’s nothing super special or unique happening here outside of Lee’s own version of the “hammer fight” sequence.  It might have looked a bit flasher, but the original still takes the cake by a long shot, as does the entire film.  Who knows, maybe if I’d seen this without the original I’d have a different opinion - but it’s just a bit too much of a rehash.  Shame.

2043 - Men in Black III

Part of the problem with this series now is that the freshness of the concept is long gone.  Pulling back the curtain and showing how further integrated aliens are into our world isn’t fresh anymore.  Gags like Andy Warhol work mostly because of the casting rather than the gag itself.  The casting is interesting - there’s a spot on Josh Brolin doing a young Tommie Lee Jones, but despite how much I LOVE Emma Thompson, is Alice Eve REALLY the best representation of her at a young age.  For his credit I didn’t even recognize Jermaine Clement as Boris the Animal.  

I think if you can over look the logic issues with the time travelling it’s a fun film, and way way way better than the second instalment.  That said, had it not for being on Netflix, I doubt I would have ever put any effort into checking it out.  Enjoyable enough!

Seconds

Scott Pilgrim remains one of my favorite series of all time, and so the other day when I realized that Bryan Lee O'Malley's first Pilgrim follow-up was finally out I ordered it right the hell away.  It's the story of a cook looking to fix some mistakes from her past and gets the chance do to some magic mushrooms (not to be confused with the drug).
I loved the style of this - visually it builds upon what we've seen of him before but there's an additional artistry present that shows his growth.  There's a really awesome narration technique that's playful and fun.  It's a beautiful and sweet story told with a wink, always aware that it's there to entertain.  If you like O'Malley's work from the past this will not disappoint.

2042 - Nurse Jackie: season six

We're six seasons in, so if you're reading this without having seen anything yet - go back and read my previous posts, 'cause there are SPOILERS AHEAD...

FINALLY, Jackie has gotten her ass kicked by all the shit she's put people through.  As much as it was fun watching Jackie be a total shit this season and just be a proper addict and fuck everyone else over - it was frustrating because usually she pulls a horseshoe out of her ass at the last minute.  It looks like heading into the seventh, and I hope final, season that they're working on an exit strategy.  Having watched Showtime continually renew both Dexter and Californication until they were creatively sucked dry I hope that they know what they're doing this time around and resolve this story in a way that pays tribute to it's golden days.  The show has meandered and stalled a bit, but where this season ends I feel in pretty good shape.

2041 - Dawn of the Planet of the Apes

Andy Serkis - you are easily one of the most underrated actors of your generation.  I re-watched bits and pieces of the first instalment of this re-boot to head into this and I have to say that this is shaping up to be one of my favourite franchises.  I think these two films blow the water out of the original series.  Not just because of the effects, although to be fair it’s the technology that allows for the emotional layer that makes it truly special.  

What’s really lovely about this second chapter is that we care about both sides of the camp. It’s not humans or apes - both parties are good and bad.  It’s real and honest in that sense.  We’re conflicted and have no idea how it’s going to go.  

I don’t want to say much more, because it’s best just to experience this all for yourself.  This is the best blockbuster I’ve seen this summer, and I can’t wait to see it again.  If you have absolutely any interest in this film do yourself a favour and see it on the big screen.

2040 - Wish I Was Here

I was a Kickstarter backer on this project.  I was a fan of Garden State, and as a crowd-funder myself I wanted to follow the campaign.  One of my perks was to get an advanced screening of the film, so that’s how you’re hearing from me early.

I have to be honest.  I didn’t love it.  Some other reviews have said “it was good enough to make you wish that it was better” and I think that’s fair.  Another review that said it’s “Phony, shallow, and completely disconnected from reality. To make matters worse, it thinks it’s sincere, deep, and realistic.” and while that’s pretty harsh - I can’t disagree.  There’s so many lines in this that feel like it’s really clever, but no one would ever talk like that let alone consistently always have the perfect thing to say at the exact perfect moment.  At times it feels like we’re watching a marathon of clever ideas that Zach Braff had and how he wedged them all together.  And wedging isn’t far off - there’s so many things going on here that look like they’re there for the sake of the visuals than anything else.  

I read somewhere that Braff spent years trying to get this film made within the system and couldn’t get it done - which seeing the end product, it doesn’t surprise me.  The last thing I wanted to do was crap on this film, but I can’t honestly endorse it. I like what he’s trying to accomplish - it’s a film about the difficulty of being a parent, so there’s things here that I dig, but as a whole - it’s messy.  And it’s hard to care about a hero who puts himself ahead of his family and tries to use his dream as a defense.  A lot of us find a way to do both.  

The highlights are Mandy Patinkin and the soundtrack - which is worth buying for sure - though it feels clumsy with how it’s used in the film, especially compared to how well the music was used in Garden State.

So if you were obsessed with Garden State than you’re going to see this anyway.  If you don’t dig Zach Braff to begin with, this likely won’t help.  Please do check it out for yourself though - I’d be happy to be in the minority when it comes to disliking something.

2039 - American Reunion

For some reason I found myself checking this out on Netflix.  It’s an interesting thing.  I don’t know if this was a bad film or a pretty okay one.  It’s tough when it’s a reunion sequel to a much loved film from your childhood.  I thought that this one did a really great job of playing up the original, and I think also the fact that I’ve grown up along with these guys doesn’t help at all either.  As a stand-alone piece I don’t think it would be all that satisfying or entertaining - but as a welcoming home party it’s worth the effort for sure.

2038 - The Green Hornet

I remember when this came out and I think it was crapped on to a fair degree.  I started watching this in the background but found myself pretty drawn in my how much fun it was.  Seth Rogen isn’t doing anything out of the blue for him, but through this kind of character it’s a unique spin on it.  I love Kato - I knew nothing going into this about the Green Hornet, so I don’t know how awesome he was in previous incarnations, but him here is a lot of fun.

Christoph Waltz is ridiculously funny here, he plays a properly menacing villain who has a funny gimmick going on that sustains the film really well.  Cameron Diaz feels like the odd-man out here, and I’m not sure why - it’s the only piece that feels a bit off for me.  The action and set pieces are pretty great, and there’s a solid story at work here amidst the chaos.  I liked it, in fact, I’d show up for a sequel, though that seems unlikely given Seth Rogen’s feelings about how it all went down.  

2037 - Californication: season seven

You were the show whose pilot knocked me off my chair - I was so in awe with what I’d seen, so jealous of the power of the writing.  As you went along I had a troubled relationship with you - I had a hard time taking you seriously during your goofier moments but you always pulled me back when you got around to being poignant.

The problem with sustaining a series with a troubled hero like Hank Moody is that you can only go so far in his growth without abandoning what was exciting about him in the first place.  So it’s hard to sustain this long-standing story of the love of his life when he’s constantly with other women.  After a few seasons of that you kind of start to feel like those two aren’t really destined to be together.  I believe it was season five that ended with his crazy girlfriend trying to kill him.  That was an inspired story choice, and really gave us material to go somewhere real and honest and dark with the character, but it largely got squandered and Hank set off on another kooky adventure in show business.  This season worked as a swan song.  I liked the idea of him connected with a long-long son, and having the dual relationship between his two baby mamas - though I have a hard time buying he wouldn’t have given it a shot with Heather Graham - not just because she’s gorgeous, but because they have a clean slate like he and Karen never could.  Alas.  

Evan Handler has always been a joy, and there’s a special place in my heart for Pamela Adlon.

If you’ve never seen this series I’m not entirely sure I can advocate for it’s entire run.  I definitely think it’s first three or four seasons are worth your time - after that it’s a little hit or miss.  David Duchovney is always delightful though, so there’s that as well.  I’ll miss the characters a little and seeing where they go, but I can’t say I need anymore.  Let’s see what Tom Kampinos has up his sleeve next.

2036 - Orange is the New Black: season two

Now that’s how you progress a story!  This season took what the first season began and beautifully brought it to the next level, furthering to nuance the characters - not forcing us to love or like them all, and even show sides of them that change how we see and feel about them otherwise.  It’s bold and beautiful storytelling and I loved it.  Even bringing in a “big bad” so to speak didn’t feel too formulaic, which it ran the risk of doing.  I don’t want to get into any specific details because it’s such a beauty to discover yourself, but I will say that this show doesn’t disappoint and it leaves us in a beautiful spot for where we come back in season three.  That said, we can move on from Jason Biggs storyline now, thanks.  Nothing against Biggs, I just don’t see how that story helps us moving forward.

2035 - The Grand Seduction

I tried to see this while it was on the festival circuit last year but it was always up against something I couldn’t miss - but it worked out nicely since I was able to go see it with my wife.  This is the kind of film where if you hated it, I might just accuse you of being dead inside.  It’s pretty damn charming.  It’s simple and sweet and entertaining.  Often films that take a gentler approach to innocent comedy pander a lot to their audience where this one felt pretty smart in it’s comedy.  I found myself laughing out loud regularly.  And Gordon Pinsent gives one of his most entertaining performances (in a career full of them) - also lovely to see Peter Keleghan as well.  Brendan Gleason was simply perfect as the small town man that steps up to rally the troops together and save the town.  If you’re from a small town, or just like good hearted films, please do yourself a favour and check this out - especially if you’re looking for something to do on Canada Day!

2034 - Edge of Tomorrow

From the guy who made Swingers… Sorry, I can’t help but say that in my head whenever I see a Doug Liman film.  I have to say that I don’t really have a strong love or hate for Tom Cruise.  With few exceptions (Magnolia, etc…) I find that Tom Cruise is pretty much Tom Cruise in most things - not a bad thing, but nothing to get super excited about.  This is one of his most fun roles to date - a serious action movie that doesn’t take itself super seriously.  It’s Groundhog Day as an action sci-fi film.  I love that we get a combination of seeing him stumble through the ‘repeat’, but then also seeing sequences where he’s clearly done this several times, and watching Emily Blunt be the ‘fresh eyes’ each time is ALWAYS enjoyable.  She’s a powerhouse and a fantastic edition to the action lady group.  You can have your Angelina Jolie’s (for the record, I like Jolie) - but give me Emily Blunt any day and I’m a happy man.  I also quite enjoyed Bill Paxton here, and I’m often so-so about him.  

If you’re up for a smart and fun action flick, this one doesn’t disappoint at all.  Well worth seeing, especially in the theatre.

2033 - Orphan Black: season two

It's impossible to talk about Orphan Black without talking about Tatiana's performance.  Without exception she is not only the star of the show - she is the show.  She slips so effortlessly into the various characters that despite your efforts you often forget that it's all the same person.  Tat obviously has an amazing career ahead of her, but it's hard to think she'll ever have a playground to play in like she does on this series - exhausting as it must be.
This season continued the greatness of the first season and helped to build deeper into the mythos of this world and it's rules.  It was nice for me to see some actor friends show up in supporting roles, and even greater to see characters like Helena really get a chance to shine here.  I love the additional layers that the show started to uncover this season and it went a long way towards convincing me just how much more story there is to tell with this series.  If it's not the best series in Canada at the moment, it's easily the most interesting - and definitely putting ourselves on the map in terms of original content creation.

2032 - 22 Jump Street

This could very well be one of the most self-referential and meta films of all time with how aware it is of the conventions of this type of film, but also with it being a sequel.  It borderlines between being very funny and sharp to being a bit too-much at times, when really we want to get a little more invested into the story and characters.  If I have a complaint about this film it’s that it spends more time trying to be clever than it does just being a fun flick - which is not to say it’s not a fun flick.  Lots of laugh out loud moments.  Jonah and Channing are charismatic as hell and a really awesome team together.  The film ends with a suggestion of this franchise going on forever and I think I could be lured back to a third adventure for sure.  I didn’t realize that it was the same filmmakers that did Lego Movie (which I rewatched AGAIN with my son this afternoon).  It’s got a similar energy and tone, which is interesting.  

Bottom line - if you liked the first one, this one will not disappoint at all.  

2031 - Fargo: season one

I write season one assuming that there will be a second season based on the quality of this and what I’ve been able to find online.  This series could have been so bad, instead it’s at least as good as the film it was inspired by - and who knows…. it could be better in some regards…. Noah Hawley has nailed the tone set by the Coens, yet he also makes it uniquely his own.  This features one of the best ensemble casts of any series ever.  From somewhat newcomer Allison Tolman to season veterans Billy Bob Thorton, Oliver Platt, Colin Hanks, Bob Odenkirk, Adam Goldberg, to some awesome Canadian stand-outs Shawn Doyle, Joshua Close, Carlos Diaz, and Rachel Blanchard… but the stand-out for me is Martin Freeman.  It’s absolutely a career highlight - the transformation he goes through is nothing short of stunning.  

The entire season stands on it’s own and is quite serialized - each episode begging you to watch the next.  I found very few faults with the series in general outside of… (SPOILER ALERT) if both Lester and Malvo died, how did were the events depicted exactly as they occurred as is stated in the opening credits?…  (END SPOILER).

So if you haven’t dug into this and you’re a fan of the Coens work, this is a must watch.  I’d say it’s almost like a marriage between Fargo and No Country For Old Men.  I loved it, and I can’t wait for season two.

2030 - The Fault in our Stars

"I fell in love the way you fall asleep, slowly then all at once.".  This is the kind of film that was 100% kick your ass if you aren't completely dead inside.  It's the story of a young woman who should have died when she was 13, but by a miracle is still here, although sick, and what happens when she falls in love with a boy who isn't exactly the pique of health himself.  Shailene Woodley and Ansel Elgort are an absolute breath of fresh air.  They're charming and honest and real.  The film doesn't pull punches and it's not the after school special that would have been so easy to make.  The only false step it takes is in a moment that goes embarrassingly too far and it super cheesy.  You'll know what I mean when people start to clap...
You know from the get-go that this is the kind of film that's likely going to break your heart, but it doesn't make it any less worth the journey.  There's a lot that I could write about this film, but I think I'd prefer you to discover it yourself.  It's beautifully written, directed and performed.  And what makes this film all the more special is that it's done so well at the box office - proving that you don't need to be a superhero to rule the summer.  You just need a great story, beautifully told.  Please see this film while it's in theatres.

2029: Wanderlust

I wanted to see this when it first came out and never got around to it.  It tells the story of a couple who gets beaten up by life a bit and tries to make a go of it on a commune - hilarity ensues.  I like that the film doesn't just take a crap on hippies and make super obvious jokes despite the fact that it's a big comedy - can you make fun of this stuff - sure - but these are people too, and their way of life is a worthy way to live if that's your thing.  Aniston and Rudd do their usual thing and are super enjoyable as always.  Lauren Ambrose steals the film in a birthing scene near the end for me.  This isn't a film that blew me away, but it's enjoyable enough if you like the cast and want something light and fun for your viewing pleasure.